In a review of this recording in the May/June 2008 issue of Fanfare, Jeffrey Lipscomb wrote:
"Chibás delivers a reading that is solemnly dramatic, sincerely committed, and effectively paced. While his orchestra is not a top-flight ensemble, it plays with great determination, despite some suspect intonation here and there. The first movement is well shaped and avoids the episodic quality heard from Harnoncourt; the Coda is suitably majestic. Chibás takes the Scherzo at a fairly swift 9:55 that's full of menace. Although his players show some signs of tiring in the Adagio, Chibás manages to convey most of the music's angst and loneliness."
I would like to add that keeping the first movement together is very challenging, with over 20 changes of tempo. As with so many of my interpretations, I owe a debt of gratitude to Furtwängler in showing me how it is done, although no one will ever do it like him.
We encourage you to also browse through the rest of our collection, including recordings from the creator of this website and remasters Eduardo Chibás, the renowned pianist Artur Schnabel and other historical directors
About Furtwängler Sound
This project is the product of a personal quest to achieve the best sound possible from the recordings of the legendary director Wilhelm Furtwangler. The constant search to improve even already-remastered versions in the market has created these crisp, timeless pieces.